Oak Park author Julie Douglas: An appreciation. Wrote guide for spiritual directors.

Not for attribution

Oak Park author Julie Douglas was buried out of St. Edmund Church today, Feb. 7, with interment at Woodlawn Cemetery, Forest Park.  She was 64.
 
She was a longtime St. Edmund parishioner, a regular at the 8:30 a.m. weekday mass, could be seen waiting at the church door for it to be opened, having walked from her apartment several blocks to the west.
 
Her devotion was evident. So was her big smile and friendly demeanor. It was a pleasure to meet that smile and strike up talk with her about books — she always carried one with her and was a regular customer at the Seminary Co-op Book store in Hyde Park.
 
At mass she sat in the front row or close to it and would stand balancing her considerable poundage, foot to foot. When she took her turn reading the day’s Scripture from the pulpit, it…

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Chi Trib mini-lesson on how not to show contrast

Trib, in a page one story about State’s Atty. Alvarez losing first a big case and then her cool when discussing with reporters, has this about jurors’ willingness to be quizzed:

While a media liaison for Judge Thaddeus Wilson had promised to release the names of jurors after the verdict, the judge instead said he sealed the names at the request of jurors.

While the press rep said jurors would be present, the judge said it wouldn’t happen. Simultaneously? No, because the writer uses “while” as “although,” which is common enough but ill-advised. What do you say when “while” means “at the same time as”? You say “while,” letting the reader puzzle out what you mean.

Bad! It slows the reader down and softens the impact of contrast. It’s a shrinking from the definite and precise. Say instead the judge’s rep said jurors would be available, but the judge [later?] said they wouldn’t, at their request. It’s not a mystery novel you are writing, but a news story.

Point: Don’t disguise or apologize for contrast, as if afraid to be dramatic. Make it clear.