The author speaks

An award winner at last night’s Society of Midland Authors dinner quoted St. Augustine, saying a book must “serve,” meaning serve the public interest, be useful.

Yes.  Every idle word is to be accounted for on the last day.  What ho, the frivolous! 

He’s Gary D. Schmidt, whose winner book, a piece of children’s fiction, is The Wednesday Wars (Clarion Books).  It’s “deep but upbeat,” per San Fran Chronicle, which also says that’s “no easy task” when writing for prepubescents.

The trick in reaching such an audience is to avoid both “Dr. Phil fare and plots driven by death, disease, divorce, drugs and the like.” 

Schmidt succeeds, but does the parents badly, delivering “caricatures.”  On the whole, however, says the reviewer,

this graceful novel is full of goodwill, yearning and heart, and serves as a growth chart for Holling, recording his increasing depth. “The Wednesday Wars” also gently reminds readers to take constant measure, as Shakespeare and Holling do, of what it means to be human.

That’s high praise, but last night, maybe sensing kindred spirits at the Inter-Continental Hotel dinner, he got a might preachy, speaking ominously of our troubled world and the current war, wondering where the protestors are.  The Viet Nam war, which coincides historically with his book, drew “a hundred thousand” protestors a day.  “I wonder where they are today,” he said. 

For one thing, the hundred thousand dropped to almost nothing once the draft was ended.  And there’s no draft now, so his wistful wondering is poorly aimed.  For another, he came across as a soft-core activist happy to plant a bit of self-accusation among writers. 

He teaches at a small Christian college, Calvin, in Michigan, and very well, I assume.  But he’s slightly affected by or infected with that yen to solve people’s problems for them and show them the way.  Or so he appeared.

School with name — a good one

Here’s an Oak Park story with Washington Irving roots:

No Oak Park school is better named when it comes to kids’ reading than Washington Irving, on Cuyler in the village’s southeast corner. How can we beat The Legend of Sleepy Hollow, with the school teacher Ichabod Crane scared almost to death by a headless horseman.

Or Rip Van Winkle, asleep for 20 years and waking to find his children grown, his mean old wife dead, and the British no longer in charge in his upstate New York village?

There’s more more more here at the Wednesday Journal of Oak Park and River Forest.

Tip-top reviewing

Chi Trib books section, demoted some time back to a Saturday feature and on a diet with other book sections in recent years, repays rather close attention, I am finding in recent weeks.  Today, for instance, It talks up a mystery book about Chicago written not in recent years at all:

Sixty years ago, Chicago newspaper writer Fredric Brown, a Gary teenager who’d started his career as a proofreader on a Milwaukee paper, won an Edgar Award for best first novel from the Mystery Writers of America. His book was “The Fabulous Clipjoint,” and it’s still considered one of the best crime novels about Chicago.

The reviewer, Dick Adler, reviews crime fiction for Publishers Weekly and other publications and blogs at The Knowledgeable Blogger, “for lovers of crime fiction — which he’d better update, since it calls him “a former” reviewer” for the Trib.

I have already ordered The Fabulous Clipjoint — set in the Tip Top Tap, atop the Allerton hotel on Boul Mich in 1948 at the latest — from ABE Books.  The book aims to “preserve forever, like bugs in amber, the seedy pleasures of our shared pasts,” Adler tells us — invitingly to a Chicagoan who was then in his late ‘teens.

 “We walked north two blocks on the east side of Michigan Boulevard to the Allerton Hotel. . . . The top floor was a very swanky cocktail bar. The windows were open and it was cool there. Up as high as that, the breeze was a cool breeze and not something out of a blast furnace. We took a table by a window on the south side, looking out toward the Loop. . . . ‘Beautiful as hell,’ I said. But it’s a clipjoint.”

That sort of stuff is not great, but it’s clean and clear.  So is Adler’s discussion of it:

Ed [one of two prime protagonists] knows he has to find out what happened [to his murdered father] but can’t do it himself. So he heads for Janesville, Wis., where the J.C. Hobart carnival is doing business and looks up his uncle, Ambrose Hunter, a barker and roustabout who is the smartest man Ed has ever met. They head back to Chicago, where they pick up Wally’s trail, bribe a friendly detective, act like tough guys (not easy for the boyish Ed or the short and tubby Am), meet a swell dame who loves Ed and lies to him, and actually solve the murder.

Adler sold me, and his brief account of Frederic Brown’s writing life — “a man who often told his wife he hated writing” — did the same for a man he compares to Hammett “and other crime icons.”  I look forward to the ABE copy, which I’m getting for under $5, shipped.  An excellent service, that.

Adam, Eve, Aristotle, Music in the city, Benedict XVI

Sunday Sermons . . .

. . . and Weekday Observations

First Sunday of Lent, A-cycle:

A story of ingratitude: Adam and Eve had everything, under one condition — enjoy your garden except for that tree. Along came a talking serpent who persuaded them to violate the condition, or persuaded Eve, who found Adam an easy mark, her co-conspirator in the betrayal of the whole human race.

They did not know how good they had it, were insufficiently grateful for their situation. She and he listened to the con man singing a siren song and lost everything. Men have jumped off buildings for lesser catastrophes.

But the Supreme Giver, fully entitled to keep his angry word, backed off. The serpent would be thwarted. Good times would return. He would not forever be angry, which is where Jesus would come in, as Paul elucidates . . .

* [Bonus sermon:] Fourth Sunday in ordinary time, per Roman Catholic practice, but 4th after Epiphany per Episcopal Church U.S. practice, which I prefer.

It’s same text, however, gospel being sermon on mount, about lowly inheriting the land, etc., and other readings about the lowly having nothing to be ashamed of, in Zephaniah and 1 Corinthians.  This resurrection of the lowly from insignificance touched with obloquy is crucial to the Judaeo-Christian message.

Apply it geopolitically at your peril, however, keeping Antonio’s comment in The Merchant of Venice about the devil quoting Scripture for his purpose.  Nonetheless, it is in such Bible passages as these that Judaism and Christianity laid the groundwork for favoring or at least treating kindly the loser.

Liberation theology veered too closely to Marxism, said popes and others and “preference for the poor” might have meant preference for state action over private enterprise — Dorothy Day wryly cited devotion to “holy mother the state.”  But down deep we have conscience in the matter: Losers matter.

Weekdays:

* George Orwell had the young Graham Greene pegged as an adherent of the “soft left.”

* Aristotle the philosopher has drawn attention away from Aristotle the biologist, who described “birds, bees, and torpedo fish” based on “caefully sifted accounts” of travellers and fishermen.  To Charles Darwin, an inveterate sifter and describer, he was “old Aristotle,” who paved the way for Darwin’s “two gods,” Linnaeus and Cuvier, whom he considered “mere schoolboys” in comparison.

Top Soviet genetics researchers were imprisoned or poisoned.  Some of today’s researchers worry about pain inflicted on Zebrafish in experiments but console (excuse) themselves in that z-fish eat one another.  “Do unto others as they do unto themselves?” asks the reviewer, who was feeling neither their nor the Zebrafish’s pain.

He is John North, author of such studies as God’s Clockmaker: Richard Wallingford and the Invention of Time, reviewing Jim Endersby’s A Guinea Pig’s History of Biology: the Plants and Animals Who Taught Us the Facts of Life in Times Literary Supplement, 1/25/08.

Noting that Endersby wouldn’t eat genetically modified (GM) crops even though he considered them not harmful, because biotech companies do not have “society’s best interests nor the environent at heart” (North’s words), North adds, “This sounds rather like another inversion, that of the story of the Garden of Eden,” which for present purposes I will take as cold ingratitude towards God’s gifts even when modified by fellow human beings, though I can’t be sure North means it that way.

Finally, North notes the misquoting of Occam’s principle (his “razor”) and misspelling of his name — as “Ockham,” on more than 14,200 websites.  “We all know that the species Copy Editor is going the way of the dodo,” says North, adding, “May we hope for a genetically engineered substitute?”  To which I add, Hope all you want, you dodo, it ain’t gonna happen.

* Chicago being quite a university center, it should be no surprise to find riches such as were displayed Saturday night 2/2 at DePaul’s concert hall on Belden Avenue — a chapel converted from long-gone McCormick seminary days Presbyterianism.  There you found or would have found and heard the “opening gala” performance of a month-long “Hommage a Ravel,” DePaul Symphony Orchestra front and center, Cliff Colnot conducting and Eteri Andjaparidze at the piano for Ravel’s Concerto in G Major.  It was the middle of three pieces, sandwiched between R’s “pavane for a dead princess” and his “Daphnis et Chloe, Suite No. 2.”

It is not praise from Caesar when I say it was good, I being one who lacks cachet in such matters.  But I tell you, it was a joy to sit in that converted place of worship and let such glorious sounds wash over one.  Its charms soothe even such a savage breast as my own.  And free of charge.  See here for coming events, including weekly Ravel excursions, Thursdays at 8, in February, except for the last at 5:30 in the next-door recital hall.

* Benedict XVI-slash-Joseph Ratzinger is a theologian but also a “referee” since he became Defense of Faith prefect some years back and more so now he’s pope.  In Jesus of Nazareth (Doubleday), however, he’s again a theologian, a “player” as reviewer Peter Cornwell, says in a TLS review 1/25/08.  Cornwell, “attached priest” at St. John the Evangelist Roman Catholic church, Bath and formerly vicar of (Church of England) University Church of St. Mary the Virgin at Oxford,  finds much in this book to feed “heart and mind . . . prayer and preaching.”

In it Benedict/Ratzinger seeks to demonstrate the historical Jesus as identical with the Jesus of faith, not a “Hellenized” personality, a product of early-church philosophizing.  He seeks this furthermore not by jettisoning the historical-critical method of contemporary exegesis, which he calls “indispensable.”  Cornwell finds the book technical but not indecipherable by the lay reader.

But B/R delivers swipes along the way at “liberal scholarship” that are more befitting his referee status, says Cornwell, delivering “papal lamentations [rather than] calm scholarly judgments.”  For example, the villainous servants of the vineyard parable become at B/R’s hands — “a remarkable interpretation” — not religious leaders but “this modern age.”  The official church goes free of blame.

“Woes” pronounced against clergy who ask too much of their people are ignored by B/R.  So is the cleansing of the Temple.  The Holy Spirit loses the wind-like quality of blowing where it wills and becomes instead the soul of God’s church, which becomes a sort of ecclesiastical Holiday Inn, free of and immune from surprises.

* For Gerald O’Collins, SJ, on the other hand, love is the answer.  His quest is Jesus the Redeemer (Oxford paperback), the love of God made flesh in Jesus of Nazareth and in those inspired by it.  This is the way it’s supposed to be, says O’Collins. (and Cornwell the reviewer), as opposed to making “hard theories” of “great biblical images,” as Mel Gibson did in “The Passion of the Christ,” with its emphasis on the quantity and severity of Christ’s suffering rather than on the quality of his mercy.

Neither was Jesus a Sidney Carton at the guillotine, doing a “far, far better thing” as substitute for the guilty one.  There is no justice in such “penal substitution,” argues O’Collins, who recognizes no “dominating theory” of redemption but rather a “mosaic” in which might be seen Jesus the savior.  Look, he says, beyond theology to art and literature, including a film which he thinks does Jesus justice, Pasolini’s “The Gospel according to St. Matthew.”

By such art, O’Collins says in a phrase that a genetically modified copy editor might flag for English-language usage, we “encounter everywhere the Holy Spirit active to relate ‘the whole of humanity to Christ.’” Breathes there a Christian with half a heart who can say nay to that sweeping sentiment?  Indeed, if enthusiasm be at issue, we are to engage in “the human struggle for a better society [and not run] away from political responsibility.”

This book has “a good word” for “unfashionable Catholics, including liberation theologians and the ebullient Frenchman Teilhard de Chardin,” and Cornwell welcomes that.  In addition, O’Collins shows a “robust earthiness,” locating “ecology in the map of salvation,” but with an eye to the after life and “resurrection of the body.”  He touches the bases, to be sure.

“No earthly utopia” is proclaimed in this book, however, nor “neglect of . . . Church and sacraments,” says Cornwell.  Rather, he adds, God’s “saving activity [is] everywhere.”  Thus, says O’Collins, into the whole world is inserted the “saving event of Christ,” who as redeemer embraces “the joy and the hope, the grief and anguish” of what Cornwell calls “a battered world.”

This veers dangerously close to boilerplate goo-gooism, even with utopia-rejection.  Don’t judge a book by its review, but this one sounds like bad poetry.

(More like this at Blithe Spirit, Commentary and Home for Unpremeditated Art)

Martha, Martha . . .

This book-writing lady did a bad thing, per U. of N. Carolina-Greensboro prof David A. Cook, in a letter to Times [of London] Literary Supplement 1/4/08:

In 1972, I was preparing to write an essay on [John Cowper] Powys’s Owen Glendower (1940), a two-volume, massively researched novel of the Welsh prince’s revolt against Henry IV, and I learned that a historical novel on the same subject had been published that year [1972] by G. P. Putnams.

This was Martha Rofheart’s Fortune Made His Sword (published in 1973 in the UK as Cry God for Harry). I quickly got my hands on a copy to see if Powys and Rofheart had used the same sources, but what I discovered was page after page of verbatim plagiarism. This was no accident: I counted more than a hundred such instances, extending over about 150 pages in the middle of the novel.

Martha gets a respectful hearing elsewhere however, especially at Randolph-Macon College, where an Honors 141 student observed that her 1976 novel The Alexandrian was “fun to read,” being “told from Cleopatra’s voice” and thus “interesting.”  This novel also “allowed the readers to feel like they were Cleopatra.”

That’s nothing.  Writing Fortune Made His Sword made her feel like John Cowper Powys.  It must have been a wonderful experience.

No sale

Barnes & Noble is not stocking the #1 Amazon-rated book by Jonah Goldberg, Liberal Fascism: The Secret History of the American Left, From Mussolini to the Politics of Meaning, at least in a number of places, east, west, and heartland.  It apparently hits too close to its target.

Haven’t cracked it yet myself but am fascinated by the title, which matches how I feel about so-called liberals.

Shut-in reading

What to read while double-casted (22 days to go, b.t.w.)?  Try Black Oxen, by Gertrude Atherton, a 1923 novel set in the New York of its day, full of Edith Wharton-style depiction of High Society and also of the day’s “Sophisticates,” namely the newspaper-literary set that has been so long attracted to the big city.

I got Black Oxen — the name is from a line from Yeats about time as inexorable — as a gift through www.abebooks.com, which I recommend as a place to find the hard to find, out of print, etc. at low, low prices.  Atherton as reminder of Edith Wharton fails, however, when we consider this as her only book about New York.  She was a Californian, in fact, and has another novel, of many, called The Californians.

Wharton’s A Backward Glance, her memoirs, nonetheless beckoned when I’d done with Black Oxen, which was demanding as to extended conversations but rewarding as per characterizations and plot suspense.  Those conversations contributed a lot to the suspense.

I also renewed acquaintance with The New Criterion, a 10 times a year highly literate exercise in social, etc. criticism.  More later on this, as on other materials for the shut-in.  . . . .

Compassion run amok

Stephen Fry, comedian, actor and quiz-show host who came in third in a survey of Britain’s wittiest people, came in highest among those who have not yet died, reports Times of London.

He once quoted Oscar Wilde [#1 in the poll], whom he played in the 1997 film of that name, when passing through customs at an airport, announcing: “I have nothing to declare but my genius.”

Fry also objected to animal testing as cruel because “they get nervous and get all the answers wrong.”

Tom Browne’s nuggets

Sir Thomas Browne offered advice for the thinking Christian believer in his Religio Medici (1642), along the way dropping memorable observations:

* The wisedom [sic] of God receives small honour from those vulgar heads that rudely stare about, and with a grosse simplicity admire his workes; those highly magnify him whose judicious enquiry into his acts, and deliberate research of his creatures, returne the duty of a devout and learned admiration. (Part I, Section 13)

I like that “devout and learned admiration.”  He is describing a 1950s Jesuit approach to learning and religion and I suppose one of 2000s too.

Speaking of us, our persons:

[We] are that bold and adventurous piece of nature, which he that studies wisely learnes in a compendium what others labour at in a divided piece and endlesse volume.  (I,16)

It’s the “bold and adventurous piece of nature” I have in mind here.

He looks to nature, “that bold and publik Manuscript, that lies expans’d unto the eyes of all . . . the Scripture and Theology of the Heathens,” who have no written Scripture to learn from.  Foolish we are, he says, to “disdain to suck Divinity from the flowers of nature.”  Sounds like Wordsworth here.

As to the works of nature, “God is like a skilful Geometrician” who devises “according to the constituted and forelaid principles of his art.”  He has in mind God the Artist, operating not in a capricious manner.

So to give all credit to Nature as if it were acting alone is to do it for a hammer or pen for a building or poem.  It is to “let our Hammers rise up and boast they have built our houses, and our pens receive the honors of our writings.” 

And so it is that “Nature is the art of God.”

Not bad stuff, I say, bespeaking a simple faith which many in our churches embrace.  And many’s the preacher who could quote this fellow.